Here's why: The Grammys briefly turned into the Tonys, and it was maybe the best segment of the show, which says something about the evening that dubs itself “music’s biggest night.” Standing on her Eva Perón podium and dressed like the immortal first lady of Broadway that she is, LuPone was an absolute force of nature. In a tribute to Andrew Lloyd Webber, she crushed Evita’s Don’t Cry for Me in a performance that made us thankful they didn’t hand it off to any number of random pop stars. BEN PLATT and PATTI LuPONE, Somewhere/Don’t Cry for Me Argentina This wasn't quite as head-spinning as his legendary 2016 set, but still was compelling enough to make Lamar's album of the year loss to Bruno Mars sting that much more.Ģ. More impactful was Lamar's evocative staging, as he danced around a figure in white pounding a drum, before the stage was flooded with a mass of dancers in red hoodies who dropped one by one to gunshot noises. ![]() with CBS?” that was more an amusing distraction than a meaningful component. Text flashing across the backdrop billed the performance as a "satire," and Chappelle showed up between songs to deliver winking commentary like “Is this OK. ![]() Here's why: It was quite a show opener: An army of hooded soldiers marched in front of an American flag, with Lamar slouched in the middle, crouching to the ground, when U2's Bono and The Edge emerged. ![]() KENDRICK LAMAR with U2 and DAVE CHAPPELLE, XXX/DNA/New Freezer/King’s Dead View Gallery: Grammys 2018: Moments from the showġ.
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